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REGISTRATION IS NOW OPEN- SEE PAYMENT DETAILS for 2026
FEES DELEGATES who have had their abstracts accepted, the fee is £165 for all events (add £25,00 for coffees/teas, morning and afternoon, and lunch) See payment details below. INDEPENDANT DELEGATES The fee is £165.00 (add £25,00 for coffees/teas, morning and afternoon, and lunch). See payment details below. EPTA MEMBERS The discount ee is: £65.00 for all events (add £25,00 for coffees/teas, morning and afternoon, and lunch) See payment details below. PRIVATE TEACHERS The fee is £75.00 for all events (add £25,00 for coffees/teas, morning and afternoon, and lunch). See payment details below. THE PUBLIC may attend the The Pianist’s Book Club. The fee is...
Read MoreThe Pianist’s Book Club. A forum for all at the London International Piano Symposium March 15th 2026 at the Royal College of Music
We are delighted to welcome four leading authors to come and introduce their books on piano performance. Issues will be addressed such as:’the identity and artistic voice of the performer, ’embodying a ‘yes’ attitude’; ‘evidence-based perspectives on the touch-tone relationship’; and, exploring a ‘healthy technique to natural artistry’. The audience may like to prepare for the discussion which follows, by going to Amazon UK books, where there are ample samples to be found concerning each book Prof. John Rink is Emeritus Professor of Music in the Cambridge Faculty of Music, and Fellow in Music at St John’s College. He...
Read MoreA special discount of 10% is being offered to all attendees for both books: Rethinking Piano Performance and New Thoughts on Piano Performance
‘Rethinking Piano Performance: The Embodied Mind’ and ‘New Thoughts on Piano Performance: Research at the Interface between Science and the Art of Piano Performance’, are both books that will enrich your experience during and after the conference. All attendees may purchase the books at a discount of 10%
Read MoreKey speakers to date
Keynote Speaker Prof. Alison McGregor, Dep’t of Musculoskeletal Biodynamics, Imperial College: ‘How forces at connections points, such as the pianist’s seat and feet, may potentially be linked with the movement of their body and the quality of the music’s output using a microphone to capture sound frequencies’. Cristine MacKie: Director of the London International Piano Symposium: ‘The concept of the mind/body dualism modus operandi has been, and continues to be, the most trenchant and resistant problem in the teaching and performing of music. Cristine’s talk will seek to present an evolutionary viewpoint that suggests that...
Read MoreWe are delighted to announce that the conference is now firmly fixed at the Royal College of Music on the 15th March 2026
All details are now updated on the website: www.londoninternationalpianosymposium.co.uk
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