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Details of how to submit an abstract and relevant dates
Submissions detailing original research are invited from all performance disciplines, offering new perspectives from across the arts and sciences on the embodiment of the performer, We intend to offer both on-site and electronic presentation options, although the former will depend on possible restrictions on public meetings and international travel in place at the time of the event. Abstracts should consist of 250-300 words. They will be published on the website and should be submitted in Word, with the following specifications: Alignment: Justified; Font: Calabri; Spacing, 1.5. Pont size, 12.They should be submitted electronically by the 15th July 2025. June 1st...
Read MoreAPPRECIATION of the Symposium at the Royal Academy of Music 2018
Prof. Elaine Chew writes: Cristine MacKie [Director of the London International Piano Symposium] ‘does it again …[by pulling] off the third annual London International Piano Symposium, this time back at the Royal Academy of Music (2018). The conference brought together pianists, pedagogues, and researchers from around the world. I immensely enjoyed the great company—all the laughter, good food, beautiful music—and carefully curated single-track series of interesting talks on all aspects of piano performance. Thank you, Cristine!
Read MoreDetails for submission of abstracts and dates
Submissions detailing original research are invited from all performance disciplines, offering new perspectives from across the arts and sciences on the embodiment of the performer, We intend to offer both on-site and electronic presentation options, although the former will depend on possible restrictions on public meetings and international travel in place at the time of the event. Abstracts should consist of 250-300 words. They will be published on the website and should be submitted in Word, with the following specifications: Alignment: Justified; Font: Calabri; Spacing, 1.5. Pont size, 12.They should be submitted electronically by the 15th July 2025. June...
Read MoreAnnouncing a new collaboration with Imperial College in 2025
I am extremely pleased to say that I have begun working on a innovative project with Alison McGregor who is a Professor of Musculoskeletal Biodynamics in the Department of Surgery and Cancer, where she manages the Human Performance Group, and the engineer, Matthew Banger in the biodynamics Laboratory at Imperial College, London. This collaboration, using Markerless technology, will go a long way toward providing evidence concerning the function (movement) of the pianist’s skeleton and, possibly building on that, to show the relevant muscles which flex and extend the skeletal bones of the torso, and the ‘reach to grasp’ i.e. the scapula, upper arm,...
Read MoreSponsorship Opportunities
Our goal is to establish the work of LIPS as a ground-breaking part of the musical experience both globally and in the UK by the end of the three cycles. We aim to offer hard evidence to teachers, performers and clinicians about the vital importance of a more unified approach to piano performance based on research at the interface between the arts and sciences. Furthermore we will look to increase the influence of LIPS at home and internationally by cooperating with strong international scientific communities and musical establishments, publishing research papers, live-streaming of the conference and provide the means for students to attend, and bursaries to study for a...
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