September 2016, LIPS announces the forthcoming publication of New Thoughts on Piano Performance: Research at the interface between science and the art of performance

Posted by on Sep 23, 2016 in Event News | 0 comments

 

INTRODUCTION

New Thoughts on Piano Performance is a London International Piano Symposium publication, which presents interdisciplinary research, the overarching goal of which is to expand the frontiers of knowledge in the field of piano performance, by exploring the interface between skilled artistry and scientific research. It is a work of central importance to those musicians who are seeking to achieve elite performance, as well as researchers, pedagogues, clinicians, and all those who are passionate about the piano and its future development.
In this collection of fifteen essays by distinguished international researchers and performers, issues which have rarely been addressed, and which should be a vital part of the education of pedagogues and performers are presented here. Among these issues are: that the value of musical training, is a powerful source of intellectual stimulation and cognitive development in children; that the role of the body is foremost in the production of sound at the piano, yet remains the most neglected issue in the education of performers; that obsessive practice is not the way forward; that the memory may be enhanced by developing a mental map in the course of preparing a work for public performance; showing that recordings can exert particular influence as salient historical documents of performance practice; that understanding the correlation between a particular musical work and the visual art that inspired it, may bring greater understanding of the meaning of, and deeper insight into the work for the pianist who is preparing to perform the piece; defining issues such as sound, touch and timbre, which are a phenomenon with both a subjective as well as physical dimensions; that musical performance is shaped more by the mind and body behind the instrument than by the score in front of the person; and last, but not least, ways in which technology can be used to increase our understanding of the body as the instrument, and the conveyor of expression.

COMPILED AND EDITED
BY CRISTINE MACKIE
DIRECTOR LONDON INTERNATIONAL PIANO SYMPOSIUM

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